ꯀꯗꯦꯡ ꯊꯥꯡꯖꯥꯍꯟꯕꯥ ꯑꯃꯁꯨꯡ ꯇꯣꯟꯨ ꯂꯥꯏꯖꯤꯡꯂꯦꯝꯕꯤ

ꯀꯥꯗꯦꯡ ꯊꯥꯡꯖꯥꯍꯟꯕꯥ ꯑꯃꯁꯨꯡ ꯇꯣꯟꯨ ꯂꯥꯏꯖꯤꯡꯂꯦꯝꯕꯤ ꯑꯔꯤꯕ ꯋꯥꯔꯤ (ꯃꯩꯇꯩ: ꯀꯗꯦꯡ-ꯇꯣꯅꯨ) ꯑꯁꯤ ꯑꯔꯤꯕ ꯀꯡꯂꯩꯄꯥꯛ (ꯑꯉꯟꯕ ꯃꯇꯝꯒꯤ ꯃꯅꯤꯄꯨꯔ) ꯒꯤ ꯃꯣꯏꯔꯥꯡ ꯅꯤꯡꯊꯧ ꯂꯩꯕꯥꯛ [ꯂꯣꯋꯔ-ꯑꯜꯐꯥ 1] ꯗꯒꯤ ꯃꯩꯇꯩ ꯃꯥꯏꯊꯣꯂꯣꯖꯤ ꯑꯃꯁꯨꯡ ꯐꯨꯡꯒꯥꯋꯥꯔꯤꯒꯤ ꯂꯥꯏꯆꯠꯁꯤꯡꯒꯤ ꯁꯥꯌꯣꯟꯒꯤ ꯏꯄꯤꯛ ꯑꯃꯅꯤ ꯫ ꯃꯁꯤꯗ ꯐꯖꯔꯕꯤ ꯇꯣꯟꯨ ꯂꯥꯏꯖꯤꯡꯂꯦꯝꯕꯤꯒꯤꯗꯃꯛ ꯍꯩꯁꯤꯡꯂꯕ ꯌꯣꯠ-ꯍꯩꯕꯒꯤ ꯊꯕꯛ ꯇꯧꯕ ꯑꯃ ꯑꯣꯏꯔꯤꯕ ꯀꯗꯦꯡ ꯊꯥꯡꯖꯥꯍꯟꯕꯒꯤ ꯑꯋꯥꯕ ꯇꯥꯕꯒꯤ ꯅꯨꯡꯁꯤꯕꯒꯤ ꯃꯇꯥꯡꯒꯤ ꯋꯥꯔꯤ ꯌꯥꯎꯋꯤ ꯫^[꯱]

ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ

↑ (2018) Northeast India: A Reader (in en). Taylor & Francis, 236. ISBN 978-0-429-95320-0. “Apart from several other works based on the theme of love, mention may be made of the literature coming from the Moirang region of Manipur. A civilization situated on the magnificent Loktak Lake, the culture of the Moirang clan has been noted. Numerous manuscripts of the Moirang region dwell on the theme of love. One of the most popular stories refers to the seven pairs of lovers who are regarded as incarnations of the same souls in different generations or ages. The seven cycles are Akongjamba (hero) and Phouoibi (heroine); Henjunaha (hero) and Leima Lairuklembi (heroine); Khuyol Haoba (hero) and Yaithing Konu (heroine); Kadeng Thangjahanba (hero) and Tonu Laijinglembi (heroine); Ura Naha ...”

[1] (2018) Northeast India: A Reader (in en). Taylor & Francis, 236. ISBN 978-0-429-95320-0. “Apart from several other works based on the theme of love, mention may be made of the literature coming from the Moirang region of Manipur. A civilization situated on the magnificent Loktak Lake, the culture of the Moirang clan has been noted. Numerous manuscripts of the Moirang region dwell on the theme of love. One of the most popular stories refers to the seven pairs of lovers who are regarded as incarnations of the same souls in different generations or ages. The seven cycles are Akongjamba (hero) and Phouoibi (heroine); Henjunaha (hero) and Leima Lairuklembi (heroine); Khuyol Haoba (hero) and Yaithing Konu (heroine); Kadeng Thangjahanba (hero) and Tonu Laijinglembi (heroine); Ura Naha ...”

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