ꯀꯨꯝꯆꯥꯂꯦꯝꯄꯤ

Bengali Mayek

Meitei Mayek

ꯀꯨꯝꯆꯥ ꯂꯦꯝꯄꯤ, ꯀꯨꯝꯖꯥ ꯂꯦꯝꯕꯤ ꯍꯥꯏꯅꯁꯨ ꯈꯪꯅꯕꯤ, ꯑꯁꯤ ꯑꯔꯤꯕ ꯀꯪꯂꯩꯄꯥꯛ (ꯑꯉꯟꯕ ꯃꯅꯤꯄꯨꯔ)ꯒꯤ ꯃꯩꯇꯩꯒꯤ ꯐꯨꯡꯒꯥ ꯋꯥꯔꯤꯗ ꯌꯥꯎꯕꯤ ꯅꯨꯄꯤ ꯑꯃꯅꯤ꯫ ꯃꯍꯥꯛ ꯑꯁꯤ ꯈꯣꯏꯔꯦꯟꯇꯛꯇ ꯀꯩ ꯑꯃꯅ ꯂꯥꯟꯗꯥꯔꯛꯄꯒꯤ ꯑꯁꯣꯛ-ꯑꯄꯟ ꯅꯪꯂꯕ ꯃꯤꯑꯣꯏ ꯑꯃ ꯑꯣꯏꯅ ꯈꯪꯅꯩ꯫ ꯃꯍꯥꯛꯀꯤ ꯅꯨꯡꯉꯥꯏꯇꯕ ꯊꯧꯗꯣꯛ ꯑꯁꯤ ꯃꯣꯏꯔꯥꯡ ꯀꯪꯂꯩꯔꯣꯜꯒꯤ ꯑꯔꯤꯕ ꯋꯥꯔꯤꯁꯤꯡꯗ ꯇꯣꯏꯅ ꯄꯟꯈꯤ, ꯋꯥꯔꯤ ꯂꯤꯈꯤ ꯑꯃꯁꯨꯡ ꯑꯃꯨꯛ ꯍꯟꯅ ꯍꯟꯅ ꯁꯛꯅ ꯁꯣꯟꯅꯍꯧꯔꯤ, ꯃꯍꯧꯁꯥꯅ ꯄꯦꯅꯥ (ꯏꯁꯩ-ꯅꯣꯡꯃꯥꯏꯒꯤ ꯈꯨꯠꯂꯥꯏ)ꯅ ꯍꯧꯖꯤꯛ ꯐꯥꯎꯕ ꯁꯩꯁꯛ ꯁꯩꯔꯣꯜꯁꯤꯡꯒꯤ ꯈꯨꯠꯊꯥꯡꯗ ꯁꯣꯟꯅꯔꯤ꯫

ꯀꯨꯝꯆꯥ ꯂꯦꯝꯄꯤ

ꯋꯥꯔꯤ

ꯀꯨꯝꯆꯥ ꯂꯦꯝꯄꯤ ꯑꯁꯤ ꯃꯍꯥꯛꯀꯤ ꯃꯃꯥ ꯂꯩꯈꯤꯗꯕ ꯃꯇꯝꯗ ꯌꯥꯝꯅ ꯄꯤꯛꯈꯤ꯫ ꯃꯇꯝ ꯈꯔꯒꯤ ꯃꯇꯨꯡꯗ ꯃꯍꯥꯛꯀꯤ ꯃꯄꯥꯅ ꯑꯃꯨꯛ ꯍꯟꯅ ꯂꯨꯍꯣꯡꯈꯤ꯫ ꯃꯔꯨꯑꯣꯏꯅ ꯃꯍꯥꯛꯀꯤ ꯃꯄꯥ ꯂꯩꯇ꯭ꯔꯤꯉꯩꯗ, ꯃꯍꯥꯛꯀꯤ ꯃꯃꯥ ꯑꯇꯣꯝꯕꯤꯅ ꯃꯍꯥꯛꯄꯨ ꯌꯥꯝꯅ ꯃꯤꯅꯨꯡꯁꯤ ꯂꯩꯇꯕ ꯑꯃꯁꯨꯡ ꯇꯝꯊꯤꯕ ꯑꯣꯏꯈꯤ꯫ ꯀꯨꯝꯆꯥ ꯂꯦꯝꯄꯤꯅ ꯃꯍꯥꯛꯀꯤ ꯄꯨꯟꯁꯤꯗ ꯃꯍꯥꯛꯀꯤ ꯐꯠꯇꯕ ꯃꯃꯥ ꯑꯇꯣꯝꯕꯤꯗꯒꯤ ꯃꯤꯑꯣꯠ-ꯃꯤꯅꯩ ꯑꯃꯁꯨꯡ ꯁꯥꯊꯤꯕ ꯂꯥꯏꯌꯦꯡꯁꯤꯡ ꯃꯥꯌꯣꯛꯅꯈꯤ꯫

ꯃꯇꯝ ꯑꯃꯗ ꯑꯔꯤꯕ ꯃꯣꯏꯔꯥꯡꯒꯤ ꯅꯤꯡꯊꯧꯅ ꯅꯨꯃꯤꯠ ꯇꯥꯕ ꯃꯇꯝꯗ ꯃꯈꯣꯏꯒꯤ ꯃꯁꯥꯒꯤ ꯌꯨꯝꯗꯒꯤ ꯀꯅꯥꯒꯨꯝꯕ ꯑꯃꯠꯇ ꯊꯣꯛꯂꯣꯏꯗꯕꯅꯤ ꯍꯥꯏꯅ ꯂꯥꯎꯊꯣꯛꯈꯤ, ꯃꯔꯝꯗꯤ ꯈꯣꯏꯔꯦꯟꯇꯛꯇꯒꯤ ꯂꯥꯛꯄ ꯂꯝꯂꯛꯀꯤ ꯀꯩ ꯑꯃꯅ ꯂꯣꯛꯇꯥꯛ ꯄꯥꯠꯀꯤ ꯁꯃꯨꯗ꯭ꯔ ꯈꯣꯡꯕꯥꯜꯒꯤ ꯔꯤꯗꯁꯤꯡꯒꯤ ꯃꯔꯛꯇ ꯅꯤꯡꯇꯝꯅ ꯀꯣꯏꯆꯠ ꯆꯠꯂꯝꯃꯤ ꯫ ꯑꯁꯤꯒꯨꯝꯕ ꯄꯥꯎ ꯑꯁꯤ ꯇꯥꯕꯗ, ꯃꯍꯥꯛꯀꯤ ꯂꯥꯏꯔꯕ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯇꯣꯝꯕꯤꯗꯒꯤ ꯅꯥꯟꯊꯣꯛꯅꯕ ꯑꯣꯏꯊꯣꯛꯄ ꯌꯥꯕ ꯈꯨꯗꯣꯡꯆꯥꯕ ꯈꯨꯗꯤꯡꯃꯛ ꯊꯤꯔꯤꯕ ꯀꯨꯝꯆꯥ ꯂꯦꯝꯄꯤꯒꯤ ꯃꯃꯥ ꯑꯇꯣꯝꯕꯤꯅ ꯅꯨꯃꯤꯗꯥꯡꯋꯥꯏꯔꯝꯒꯤ ꯃꯇꯝꯗ ꯀꯨꯝꯆꯥ ꯂꯦꯝꯄꯤꯕꯨ ꯂꯣꯛꯇꯥꯛ ꯄꯥꯠꯀꯤ ꯇꯣꯔꯕꯥꯟꯗ ꯊꯥꯈꯤ, ꯃꯍꯥꯛꯄꯨ ꯅꯨꯃꯤꯠ ꯑꯗꯨꯒꯤ ꯅꯨꯃꯤꯗꯥꯡꯒꯤ ꯆꯥꯛꯂꯦꯟ ꯑꯗꯨꯒꯤꯗꯃꯛ ꯕꯥꯁꯀꯦꯠ ꯃꯄꯨꯡ ꯐꯥꯕ ꯄꯥꯝꯕꯤꯁꯤꯡ ("ꯌꯦꯜꯂꯥꯡ ꯀꯦꯡ-ꯅꯒꯣꯏ") ꯈꯣꯝꯖꯤꯟꯅꯕ ꯍꯥꯏꯈꯤ, ꯑꯃꯁꯨꯡ ꯀꯔꯤꯒꯨꯝꯕ ꯃꯍꯥꯛꯅ ꯃꯉꯣꯟꯗ ꯄꯨꯔꯛꯀꯅꯤ ꯍꯥꯏꯅ ꯍꯥꯏꯔꯤꯕ ꯑꯗꯨ ꯄꯨꯔꯛꯇ꯭ꯔꯕꯗꯤ ꯃꯌꯨꯝꯗ ꯍꯜꯂꯛꯂꯣꯏ ꯍꯥꯏꯅ ꯍꯥꯏꯈꯤ꯫ ꯕꯥꯁꯀꯦꯠꯐꯨꯜ ꯑꯣꯏꯅꯕ ꯃꯅꯥ-ꯃꯁꯤꯡꯁꯤꯡ ꯈꯣꯝꯖꯤꯟꯕ ꯃꯇꯝꯗ, ꯊꯦꯡꯊꯔꯛꯈꯤ꯫ ꯃꯍꯥꯛꯀꯤ ꯂꯝꯕꯤꯗ, ꯃꯍꯥꯛꯄꯨ ꯈꯣꯏꯔꯦꯟꯇꯛ ꯀꯩ ꯍꯥꯏꯅ ꯀꯧꯕ ꯃꯤꯑꯣꯏ ꯑꯗꯨꯅ ꯎꯈꯤ ꯑꯃꯁꯨꯡ ꯑꯔꯣꯏꯕꯗ ꯃꯍꯥꯛꯄꯨ ꯆꯔꯥ ꯍꯦꯟꯕ ꯁꯥ ꯑꯗꯨꯅ ꯆꯥꯛꯍꯟꯈꯤ꯫

ꯃꯍꯥꯛꯀꯤ ꯍꯛꯆꯥꯡꯒꯤ ꯂꯦꯝꯍꯧꯕꯁꯤꯡ ꯑꯗꯨ ꯅꯤꯡꯊꯧꯒꯤ ꯐꯝꯅꯥꯏꯕꯁꯤꯡꯅ ꯐꯪꯂꯛꯄ ꯃꯇꯝꯗ, ꯅꯨꯄꯥ ꯑꯅꯤꯅ ꯊꯣꯏꯕꯤꯒ ꯂꯨꯍꯣꯡꯕꯒꯤ ꯂꯥꯟ ꯑꯗꯨꯒꯤ ꯂꯥꯏꯒꯤ ꯑꯣꯏꯕ ꯑꯋꯥꯕ ꯑꯃ ꯑꯣꯏꯅ ꯈꯨꯃꯟ ꯈꯝꯕ ꯑꯃꯁꯨꯡ ꯅꯣꯡꯕꯟ ꯌꯥꯊꯪ ꯄꯤꯈꯤꯕ ꯃꯣꯏꯔꯥꯡꯒꯤ ꯅꯤꯡꯊꯧꯒꯤ ꯅꯥꯀꯣꯡꯗ ꯄꯥꯎ ꯑꯗꯨ ꯌꯧꯔꯛꯈꯤ꯫ ꯅꯤꯡꯊꯧ ꯂꯩꯕꯥꯛ ꯑꯁꯤꯒꯤ ꯑꯃꯠꯇ ꯉꯥꯏꯔꯕ ꯅꯤꯡꯊꯧ ꯃꯆꯥꯅꯨꯄꯤꯅꯤ꯫

ꯂꯣꯏꯅꯁꯤꯟꯂꯣꯟ

ꯃꯩꯇꯩ ꯁꯥꯍꯤꯇ꯭ꯌ (ꯃꯅꯤꯄꯨꯔꯤ ꯁꯥꯍꯤꯇ꯭ꯌ)ꯗ ꯅꯨꯄꯤ ꯀꯨꯝꯆꯥ ꯂꯦꯝꯄꯤ (ꯀꯨꯝꯖꯥ ꯂꯦꯝꯕꯤ) ꯑꯁꯤ ꯀꯪꯂꯩꯄꯥꯛꯀꯤ ꯆꯤꯡꯁꯤꯡꯒꯤ ('ꯃꯅꯤꯄꯨꯔ') ꯒꯤ ꯀꯕꯨꯏ ꯐꯨꯔꯨꯞꯀꯤ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯃꯒꯤ ꯃꯔꯨꯞ ꯑꯃ ꯑꯣꯏꯅ ꯐꯣꯡꯗꯣꯛꯂꯤ꯫ ꯃꯍꯥꯛꯀꯤ ꯀꯥꯕꯨꯏ ꯃꯔꯨꯞ ꯑꯗꯨ ꯃꯇꯨꯡꯗ ꯇꯥꯏꯕꯪ ꯃꯄꯨ ꯊꯥꯡꯆꯤꯡ (ꯊꯥꯡꯖꯤꯡ)ꯅ ꯊꯧꯖꯥꯜꯕꯤꯕ "ꯆꯤꯡꯊ꯭ꯔꯥꯎ" ꯀꯧꯕ ꯂꯩ ꯑꯃ ꯑꯣꯏꯔꯛꯈꯤ꯫ ꯀꯨꯝꯖꯥ ꯂꯦꯝꯕꯤꯅ ꯃꯍꯥꯛꯀꯤ ꯃꯔꯨꯞꯀꯤ ꯃꯃꯤꯡ ꯑꯁꯤ "ꯆꯤꯡ-ꯊ꯭ꯔꯥꯎ" ꯍꯥꯏꯅ ꯑꯃꯨꯛ ꯍꯟꯅ ꯍꯤꯡꯍꯟꯈꯤ, ꯃꯁꯤ 'ꯆꯤꯡ', 'ꯊꯥꯔꯣ' ꯑꯃꯁꯨꯡ 'ꯄꯥꯏꯊꯥ' ꯍꯥꯏꯕ ꯋꯥꯍꯩꯁꯤꯡ ꯑꯁꯤꯅ ꯁꯦꯝꯕꯅꯤ꯫ ꯊꯥꯡꯆꯤꯡ ꯅꯠꯇ꯭ꯔꯒ ꯊꯥꯡꯖꯤꯡ ꯑꯁꯤ ꯃꯩꯇꯩ ꯂꯥꯏꯅꯤꯡ ꯑꯃꯗꯤ ꯑꯔꯤꯕ ꯃꯇꯝꯒꯤ ꯀꯪꯂꯩꯄꯥꯛ (ꯑꯔꯤꯕ ꯃꯅꯤꯄꯨꯔ)ꯒꯤ ꯂꯥꯏꯅꯤꯡꯒꯤ ꯑꯣꯏꯕ ꯑꯔꯤꯕ ꯃꯇꯝꯒꯤ ꯂꯥꯏ ꯑꯃꯅꯤ꯫ ꯃꯍꯥꯛ ꯑꯁꯤ ꯑꯔꯤꯕ ꯃꯣꯏꯔꯥꯡꯒꯤ ꯃꯣꯏꯔꯥꯡ ꯅꯤꯡꯊꯧ ꯁꯥꯒꯩꯒꯤ ꯂꯩꯉꯥꯛꯂꯤꯕ ꯂꯥꯏꯅꯤ꯫ ꯃꯍꯥꯛ ꯀꯪꯐꯥꯜꯅ ꯀꯣꯏꯁꯤꯟꯕ ꯁꯃꯨꯗ꯭ꯔ, ꯂꯣꯛꯇꯥꯛ ꯄꯥꯠꯀꯤ ꯇꯣꯔꯕꯥꯟꯗ ꯈ꯭ꯋꯥꯏꯗꯒꯤ ꯋꯥꯡꯅ ꯁꯥꯁꯟ ꯇꯧꯔꯤ꯫ ꯃꯍꯥꯛ ꯑꯁꯤ ꯀꯥꯔꯗꯤꯅꯦꯜ ꯎꯃꯪ ꯂꯥꯏ ꯃꯔꯤꯒꯤ ꯃꯅꯨꯡꯗ ꯑꯃꯅꯤ꯫ ꯈꯥ-ꯅꯣꯡꯆꯨꯞ ꯊꯪꯕ ꯃꯥꯏꯀꯩꯒꯤ ꯉꯥꯛ-ꯁꯦꯟꯕ ꯑꯁꯤ ꯊꯥꯡꯖꯤꯡ ꯑꯃꯁꯨꯡ ꯑꯇꯣꯞꯄ ꯃꯥꯏꯀꯩꯁꯤꯡ ꯑꯁꯤ ꯀꯣꯎꯕ꯭ꯔꯨ (ꯑꯋꯥꯡ ꯅꯣꯡꯆꯨꯞ), ꯃꯥꯔꯖꯤꯡ (ꯑꯋꯥꯡ ꯅꯣꯡꯄꯣꯛ) ꯑꯃꯁꯨꯡ ꯋꯥꯡꯕ꯭ꯔꯦꯟ (ꯈꯥ-ꯅꯣꯡꯄꯣꯛ)ꯗ ꯇꯥꯛꯏ꯫ ꯀꯕꯨꯏ ꯃꯤꯌꯥꯝ (ꯏꯟꯄꯨꯏ ꯃꯤꯌꯥꯝ ꯅꯠꯇ꯭ꯔꯒ ꯔꯣꯡꯃꯩ ꯃꯤꯌꯥꯝ ꯍꯥꯏꯅꯁꯨ ꯈꯪꯅꯕ) ꯑꯁꯤ ꯑꯋꯥꯡ-ꯅꯣꯡꯄꯣꯛ ꯚꯥꯔꯠꯀꯤ ꯔꯥꯖ꯭ꯌ ꯃꯅꯤꯄꯨꯔꯗ ꯂꯩꯕ ꯇꯤꯕꯦꯇꯣ-ꯕꯔꯃꯟꯒꯤ ꯃꯍꯧꯁꯥꯒꯤ ꯑꯣꯏꯕ ꯀꯥꯡꯂꯨꯞ ꯑꯃꯅꯤ꯫

ꯀꯨꯝꯍꯩ

ꯏꯪ ꯲꯰꯱꯸-꯱꯹ꯒꯤ ꯁꯦꯁꯟꯗ ꯆꯤꯡꯉꯨ ꯊꯥꯡꯖꯤꯡ ꯋꯤꯃꯦꯟꯁ ꯀꯜꯆꯔꯦꯜ ꯑꯣꯔꯒꯅꯥꯏꯖꯦꯁꯟꯅ "ꯀꯨꯝꯖꯥꯂꯦꯝꯕꯤ" ꯀꯧꯕ ꯁꯨꯃꯥꯡ ꯀꯨꯝꯍꯩ ꯑꯃ ꯄꯨꯊꯣꯛꯈꯤ, ꯃꯗꯨꯒꯤꯗꯃꯛ "ꯒ꯭ꯔꯥꯟꯠꯁ ꯀꯝꯃꯤꯇꯤ ꯇꯨ ꯗ ꯀꯜꯆꯔꯦꯜ ꯏꯟꯁꯇꯤꯇ꯭ꯌꯨꯁꯟꯁ ꯑꯣꯐ ꯅꯣꯔꯊ-ꯏꯁ꯭ꯠ ꯁ꯭ꯇꯦꯠꯁ"ꯅ ꯗꯤ ꯅꯦꯁꯅꯦꯜ ꯑꯦꯀꯥꯗꯦꯃꯤ ꯑꯣꯐ ꯃ꯭ꯌꯨꯖꯤꯛ, ꯗꯥꯟ꯭ꯁ ꯑꯦꯟꯗ ꯗ꯭ꯔꯥꯃꯥꯗ ꯂꯨꯄꯥ ꯴꯰,꯰꯰꯰ ꯅꯠꯇ꯭ꯔꯒ ꯌꯨ.ꯑꯦꯁ. ꯗꯣꯂꯔ ꯴꯰,꯰꯰꯰ (ꯌꯨ.ꯑꯦꯁ. ꯗꯣꯂꯔ ꯴꯰,꯰꯰꯰ ꯅꯠꯇ꯭ꯔꯒ ꯌꯨ.ꯑꯦꯁ. ꯗꯣꯂꯔ ꯵꯰,꯰꯰ꯒ ꯃꯥꯟꯅꯕ)ꯗ ꯔꯤꯀꯃꯦꯟ ꯇꯧꯈꯤ꯫

ꯏꯁꯩ

ꯃꯍꯥꯛꯄꯨ ꯃꯩꯇꯩ ꯂꯣꯏꯅꯁꯤꯟꯂꯣꯟꯗ ꯑꯁꯨꯝꯅ ꯃꯍꯥꯛꯅ ꯃꯍꯥꯛꯀꯤ ꯃꯇꯥꯔꯣꯏꯕꯨ ꯁꯩꯊꯥꯕ ꯊꯦꯡꯅꯔꯤ ꯫

ꯏꯁꯩ

ꯏꯪꯂꯤꯁ ꯋꯥꯍꯟꯊꯣꯛ

ꯀꯕꯨꯏ ꯆꯥꯗꯤ ꯅꯨꯔꯥꯕꯤ꯫ ꯄꯣꯀꯇꯥꯕꯤꯅꯥ ꯂꯪꯒꯣꯅꯕꯤ꯫ ꯑꯃꯨꯛ ꯊꯣꯡꯕꯥ ꯇꯔꯅꯥ꯫ ꯅꯨꯃꯤꯗꯥꯡ ꯆꯔꯥ ꯑꯣꯏꯖꯥꯕꯤ꯫ ꯅꯨꯃꯤꯗꯥꯡ ꯊꯣꯡꯕꯥ ꯇꯔꯅꯥ꯫ ꯑꯌꯨꯛꯀꯤ ꯆꯤꯟꯗꯃꯆꯥꯌꯣꯝ ꯑꯣꯏꯖꯕꯤ꯫ ꯑꯦꯅꯨꯡ ꯅꯣꯡꯅꯥ ꯉꯟꯗ꯭ꯔꯤꯡꯒꯦꯏ꯫ ꯅꯃꯨ ꯃꯤꯀꯨꯞ ꯂꯣꯟꯗ꯭ꯔꯤꯡꯒꯦ꯫ ꯁꯤꯡꯖꯥ ꯂꯪꯒꯨꯕꯨ ꯄꯥꯎꯁꯤꯕꯤꯔꯦꯌ꯫ ꯀꯕꯨꯏ ꯆꯥꯗꯤ ꯅꯨꯔꯥꯕꯤ꯫ ꯑꯌꯨꯛ ꯌꯦꯟꯗꯥ ꯃꯉ꯭ꯒꯗꯒꯤ꯫ ꯀꯣꯔꯣꯎ ꯁꯤꯡꯖꯥ ꯂꯪꯒꯨꯕꯤ꯫ ꯍꯨꯃꯥꯡꯒꯤ ꯂꯦꯏꯔꯤꯛ ꯀꯥꯡꯗ꯭ꯔꯤꯡꯒꯦꯏ꯫ ꯂꯣꯏꯃꯝ ꯐꯧꯁꯨ ꯇꯥꯀꯄꯤꯔꯦꯌ꯫ ꯍꯣ ꯇꯥꯀꯄꯤꯔꯦꯌ (꯳)꯫ ꯂꯣꯏꯃꯝ ꯐꯧꯁꯨꯕꯤ꯫ ꯑꯋꯥ ꯃꯦꯏꯁꯥ ꯂꯣꯏꯗ꯭ꯔꯤꯅꯦꯏ ꯄꯣꯛꯇꯥꯕꯤ ꯃꯃꯅꯥ꯫ ꯄꯥꯝꯂꯧ ꯌꯥꯜꯂꯨꯕꯨ ꯇꯥꯀꯞꯔꯦ ꯫ ꯇꯥꯔꯥ ꯆꯥꯖꯤꯛ ꯆꯔꯥꯒꯥ꯫ ꯈꯥꯂꯦꯏ ꯌꯣꯠꯄꯨ ꯄꯥꯏꯗꯨꯅꯥ꯫ ꯀꯕꯨꯏ ꯆꯥꯗꯤ ꯅꯨꯔꯥꯕꯤ꯫ ꯄꯣꯊꯥꯕꯥꯗꯤ ꯌꯥꯑꯣꯗꯥꯅꯥ꯫ ꯄꯥꯝꯂꯧ ꯇꯟꯅꯥꯕꯨ ꯂꯥꯀꯆꯔꯦ ꯫ ꯲ ꯀꯕꯨꯏ ꯆꯥꯗꯤ ꯅꯨꯔꯥꯕꯤ꯫ ꯑꯋꯥ ꯃꯦꯏꯁꯥ ꯂꯪꯕꯥꯗꯥ꯫ ꯈꯥꯉ꯭ꯒꯃꯗ꯭ꯔꯕꯤ ꯂꯦꯏꯔꯥꯡꯗꯣ꯫ ꯈꯨꯇꯥꯒꯤ ꯌꯣꯇꯂꯦꯏ ꯊꯥꯗꯣꯛꯂꯦ꯫ ꯀꯧꯔꯧ ꯅꯣꯡꯗꯣꯜ ꯊꯥꯖꯥ ꯌꯦꯡ ꯫ ꯄꯥꯂꯦꯝ ꯃꯥꯃꯥꯕꯨ ꯀꯧꯗꯨꯅꯥ꯫ ꯍꯤꯛꯅꯥ ꯍꯤꯛꯅꯥ ꯀꯄꯆꯥꯈꯤꯗꯣ꯫ ꯂꯥꯏꯕꯛ ꯊꯤꯕꯤ ꯅꯨꯖꯥꯗꯣ꯫ ꯀꯦꯒꯦꯏ ꯃꯥꯏꯀꯦꯏ ꯌꯦꯡꯗꯨꯅꯥ꯫ ꯆꯤꯡꯒꯨ ꯊꯥꯒꯣꯅꯔꯥꯛ-ꯏ ꯫ ꯍꯤꯛꯅꯥ ꯀꯤꯀꯅꯥ ꯀꯄꯇꯨꯅꯥ ꯫ ꯀꯣꯔꯣꯎ ꯃꯦꯏꯁꯥ ꯂꯪꯕꯥꯗꯥ꯫ ꯆꯤꯡ-ꯎ ꯏꯕꯨꯡꯒꯣ꯫ ꯍꯥ ꯃꯣꯏꯔꯉ꯭ꯒꯤ ꯊꯥꯡꯖꯤꯡ꯫ ꯅꯍꯀꯇꯤ ꯆꯅꯕꯤ ꯍꯥꯌꯕꯥ ꯃꯄꯨꯅꯤ꯫ ꯄꯥꯃꯦꯜ ꯃꯥꯗꯤ ꯈꯥꯡꯃꯃꯤ꯫ ꯅꯤꯡꯊꯦꯝ ꯎꯂꯦꯟ ꯅꯉꯕꯥꯗꯥ꯫ ꯄꯥꯃꯦꯟ ꯎꯔꯥꯏ ꯇꯥꯗꯦꯗꯣ꯫ ꯄꯥꯃꯦꯟ ꯃꯥꯗꯤ ꯑꯦꯉ꯭ꯒꯥ ꯀꯨꯃꯗꯃꯂꯛꯄꯗꯥ꯫ ꯑꯦꯉ꯭ꯒꯦꯟ ꯈꯨꯃꯈꯔꯀꯄꯗꯥ ꯄꯥꯃꯦꯜ ꯃꯗꯤ꯫ ꯋꯥꯏ ꯃꯀꯇꯥꯕꯨ ꯍꯥꯌꯗꯦꯗꯣ ꯑꯋꯥ ꯃꯦꯏꯁꯥ ꯈꯥꯡꯃꯗꯥꯅꯥ꯫ ꯄꯥꯃꯦꯜ ꯂꯛꯇꯥꯕꯨ ꯇꯤꯅꯖꯥꯒꯦ ꯆꯤꯡꯅꯕꯥ ꯅꯪꯅꯥ꯫ ꯀꯨꯕꯤꯌꯨ ꯑꯁꯤ ꯋꯥꯗꯤ ꯍꯥꯌꯗꯨꯅꯥ ꯇꯦꯟꯊꯥ ꯆꯤꯡꯑꯣꯏꯅꯥꯔꯥꯃꯂꯒꯥ꯫ ꯃꯔꯥꯃꯅꯥ ꯂꯃꯂꯦꯟ ꯂꯃꯅꯨꯡꯁꯤ꯫ ꯀꯦꯒꯦꯌ ꯃꯣꯏꯔꯥꯡꯁꯨ ꯂꯃꯀꯣꯟꯅꯨꯡ꯫ ꯊꯥꯝꯕꯜ ꯅꯣꯡꯁꯥ ꯂꯧꯎ-ꯁꯤꯡꯎ꯫ ꯌꯦꯡꯠꯔꯥ ꯅꯣꯡꯍꯨꯟ ꯂꯧꯎ꯫ ꯐꯤꯕꯨꯟ ꯅꯥꯏꯔꯣꯡꯆꯤꯡ꯫ ꯁꯔꯦꯡ ꯆꯤꯡꯕꯨ ꯆꯤꯡꯃꯦꯏꯅꯦ꯫ ꯊꯥꯡꯖꯤꯡ ꯂꯃꯂꯣꯟ ꯑꯋꯥꯡꯕꯥ꯫ ꯂꯣꯏꯕꯤ ꯊꯛꯇꯥꯕꯨ ꯀꯔꯛꯂꯦ ꯫ ꯑꯋꯥꯕꯥꯅꯤ ꯂꯥꯏꯕꯤꯛ ꯊꯤꯕꯤ ꯅꯨꯖꯥꯗꯣ꯫ ꯀꯕꯨꯏ ꯆꯥꯗꯤ ꯅꯨꯔꯥꯕꯤ꯫ ꯂꯣꯏꯕꯤ ꯊꯛꯇꯥ ꯂꯦꯄꯇꯨꯅꯥ꯫ ꯈꯣꯏꯌꯨꯝ ꯊꯥꯡꯖꯤꯡ ꯊꯥꯒꯣꯟꯅꯥ꯫ ꯑꯋꯥ ꯃꯦꯏꯁꯥ ꯈꯥꯡꯒꯝꯕꯤ꯫ ꯅꯨꯉ꯭ꯒꯥꯏꯔꯀꯇꯥ ꯆꯣꯟꯊꯣꯔꯛꯂꯦꯗꯥ꯫ ꯅꯨꯔꯥ ꯃꯅꯥ ꯄꯥꯏꯊꯦꯏ ꯍꯥꯌꯕꯥꯒꯤꯄꯥꯏꯊꯥ ꯂꯃꯖꯥꯑꯣ ꯊꯣꯟꯅꯦꯏꯌꯦꯏ ꯫ ꯂꯦꯃꯅꯥ ꯃꯥꯡꯕꯥ ꯌꯥꯗꯦꯗꯣ꯫ ꯁꯤꯉ꯭ꯒꯦꯟ ꯑꯣꯏꯅꯥ ꯁꯥꯏꯌꯣꯅꯂꯦ꯫ ꯁꯥꯖꯤꯕꯨ ꯂꯥꯏꯌꯦꯟ ꯇꯥꯏꯕꯗꯥ꯫ ꯀꯣꯏꯅꯥ ꯂꯦꯏꯍꯨꯟ ꯇꯝꯕꯥꯗꯥ꯫ ꯁꯤꯉ꯭ꯒꯦꯟ ꯂꯦꯏꯁꯥꯠ ꯇꯃꯛꯂꯦ꯫ ꯍꯥꯗꯥ ꯂꯦꯏꯔꯥꯡ ꯂꯦꯏꯅꯨꯡꯁꯤ ꯫ ꯑꯋꯥꯡ ꯀꯧꯕ꯭ꯔꯨ ꯂꯣꯀꯆꯤꯅꯀꯣꯜ꯫ ꯍꯦꯝꯕꯥꯅꯥꯕꯨ ꯂꯥꯂꯨꯝ ꯈꯨꯟ꯫ ꯍꯨꯏꯔꯦꯏ ꯉꯥꯡꯕꯤ ꯆꯤꯡꯅꯨꯡꯀꯣꯛ꯫ ꯊꯣꯗꯨ ꯅꯟꯗꯕꯥ ꯈꯨꯟꯗꯥꯅꯥ ꯄꯥꯅꯕꯕꯨ ꯂꯦꯏꯔꯪꯅꯤ꯫ ꯃꯔꯣꯟꯅꯤꯕꯥ ꯂꯣꯟꯗ꯭ꯔꯦꯕꯥ꯫ ꯃꯈꯨꯅꯤꯗꯥꯕꯨ ꯈꯨꯟꯗ꯭ꯔꯦꯕꯥ꯫ ꯍꯥꯑꯣꯕꯥ ꯈꯣꯡꯖꯥꯏꯕꯅꯤꯡꯊꯧꯕꯥ꯫ ꯇꯣꯂꯣꯡꯈꯣꯝꯕꯥ ꯀꯧꯕꯥ꯫ ꯈꯨꯠꯇꯥ ꯁꯤꯡꯖꯥꯡ ꯄꯥꯏꯗꯨꯅꯥꯎꯔꯥꯏ ꯍꯥꯟꯅꯥ, ꯍꯥꯡꯗ꯭ꯔꯦꯏ ꯆꯟꯗꯨꯅꯥ꯫ ꯄꯥꯃꯦꯜ ꯁꯤꯡꯖꯥ ꯂꯪꯕꯥꯗꯥ꯫ ꯂꯦꯏꯔꯥꯡ ꯃꯥꯕꯨ ꯌꯥꯑꯣꯕꯥ ꯂꯦꯏ ꯫ ꯂꯦꯏꯔꯥꯡ ꯃꯥꯎ ꯇꯕꯥꯅꯥ꯫ ꯄꯥꯃꯦꯜ ꯎꯖꯥꯑꯣ ꯃꯥꯅꯕꯥ ꯂꯦꯏ꯫ ꯂꯦꯏꯔꯉ꯭ꯒꯤ ꯂꯦꯏꯕꯥꯅꯥ꯫ ꯀꯥꯑꯣꯔꯦꯟ ꯈꯣꯡꯒꯨ ꯃꯥꯅꯕꯤ ꯂꯦꯏ꯫ ꯂꯦꯏꯔꯥꯡ ꯃꯥꯅꯥ ꯄꯣꯃꯂꯤꯡꯒꯦ꯫ ꯅꯨꯔꯥꯒꯤ ꯈꯨꯠꯁꯥ ꯃꯥꯅꯕꯤ ꯂꯦꯏ꯫ ꯂꯦꯏꯔꯥꯡ ꯐꯨꯒꯥꯏꯅꯥ ꯁꯇꯂꯒꯥ꯫ ꯂꯨꯄꯥꯏ ꯅꯥꯆꯣꯝ ꯃꯥꯅꯕꯤ ꯂꯦꯏ꯫ ꯂꯦꯏꯔꯪꯅꯥ ꯁꯇꯄꯥ ꯎꯕꯥꯗꯥ꯫ ꯃꯣꯏꯔꯉ꯭ꯒꯤ ꯌꯥꯏꯐꯕꯥ꯫ ꯊꯤꯌꯥꯝ ꯆꯥꯑꯣꯕꯥꯒꯤ ꯃꯝꯃꯂꯣꯏ꯫ ꯀꯨꯃꯖꯥꯂꯦꯝꯕꯤ ꯑꯦꯕꯦꯝꯃꯥ꯫ ꯂꯣꯏꯕꯤ ꯆꯤꯡꯗꯥ ꯀꯗꯨꯅꯥ꯫ ꯁꯤꯉꯦꯟ ꯋꯥꯅꯥ ꯍꯦꯛꯆꯥꯔꯌꯦ꯫ ꯅꯨꯡꯁꯤꯗꯥꯀꯣ ꯏꯇꯥꯔꯣꯏ꯫ ꯁꯤꯉ꯭ꯒꯦꯟ ꯅꯪꯕꯨ ꯍꯦꯛꯂꯥꯒꯥ꯫ ꯅꯨꯡꯁꯤ ꯃꯄꯥꯎ ꯅꯥꯒꯕꯥꯗꯥ꯫ ꯂꯦꯏꯔꯥꯡ ꯃꯥꯏꯌꯣꯛ ꯑꯣꯏꯖꯒꯦ ꯫ ꯁꯟꯖꯦꯟꯊꯣꯡꯒꯤ ꯊꯣꯡꯌꯥꯏꯗꯥ꯫ ꯅꯨꯔꯥ ꯀꯨꯃꯖꯥꯔꯦꯝꯕꯤꯅꯥ꯫ ꯂꯦꯏꯔꯥꯡ ꯈꯨꯠꯇꯥ ꯄꯥꯏꯗꯨꯅꯥ꯫ ꯃꯊꯥꯡꯂꯦꯟ ꯄꯨꯃꯅꯥꯑꯣ ꯇꯕꯥꯁꯨ꯫ ꯉꯥꯡꯒꯝ ꯂꯦꯏꯅꯤꯀꯣ ꯂꯦꯏꯅꯨꯡꯁꯤ ꯫ ꯍꯥꯗꯥ ꯂꯦꯏꯔꯥꯡ ꯏꯇꯥꯔꯣꯏ꯫ ꯄꯥꯟꯊꯣꯎꯁꯤꯡꯅꯥ ꯁꯣꯟꯅꯥꯕꯥ꯫ ꯂꯣꯏꯕꯤ ꯆꯅꯨꯔꯥ ꯑꯃꯃꯅꯥ꯫ ꯁꯥꯏꯌꯣꯅꯕꯤꯅꯤ ꯍꯥꯌꯅꯦꯏꯀꯣ꯫ ꯁꯤꯉ꯭ꯒꯦꯟ ꯀꯣꯜꯂꯣꯏ ꯊꯣꯟꯗꯨꯅꯥ꯫ ꯂꯣꯏꯕꯤ ꯆꯤꯡꯒꯤ ꯂꯣꯀꯃꯪꯗꯥ꯫ ꯃꯥꯂꯪ ꯆꯦꯏꯔꯣꯏꯅꯥꯗꯨꯅꯥ꯫ ꯌꯦꯟꯗꯨ ꯅꯪꯕꯨ ꯃꯉ꯭ꯒꯂꯥꯒꯗ꯭ꯔ꯫ ꯉꯥꯁꯤ ꯀꯨꯟꯖꯥꯂꯦꯝꯕꯤ ꯑꯩꯍꯥꯀꯅꯥ꯫ ꯂꯣꯏꯕꯤ ꯆꯅꯨꯔꯥꯅꯥ ꯁꯥꯏꯌꯣꯅꯕꯥ ꯏꯇꯥ ꯅꯪꯕꯨ꯫ ꯆꯤꯡꯗꯥꯒꯤ ꯃꯤꯡꯊꯥꯡ ꯈꯥꯔꯥ ꯂꯧꯎ꯫ ꯂꯣꯏꯕꯤ ꯆꯅꯨꯔꯥꯒꯤ ꯃꯤꯡꯊꯥꯡ ꯈꯔ ꯂꯧꯎ꯫ ꯂꯦꯏꯔꯥꯡ ꯅꯥꯃꯤꯡꯗꯨ꯫ ꯂꯣꯏꯕꯤ ꯆꯤꯡꯊ꯭ꯔꯥꯑꯣ ꯊꯣꯜꯂꯃꯒꯦꯏꯀꯣ ꯏꯇꯥꯔꯣꯏ꯫

The lass of Kabui Tribe Guardianed by the woman who bore her not The morning-cooked rice, cold and old Would be for her the night meal The old food of the day gone It’d be packed and bound for her day-meal Well before the day breaks When the village folks are fast asleep Out in the forest was she sent to gather fire-woods The lass of Kabui Tribe Who before day-break Brought home fire-woods Well ere the sweat-beads on her fair face did dry Was she told to do the pounding of all the rice Ho … she was told (3) Well ere the weariness and the anguish ends the mother who bore her not Tasked the lass to slash at the Jhum field Eating the life-giving food Iron spade in her hands The lass of Kabui Tribe Knowing no rest Out set she for the Zhum field The lass of Kabui Tribe Burning herself through the sufferings The flower like maiden who could no longer bear The iron spade slipped away from her hands Skyward she raised her gaze at the moon Calling aloud to her mother She wailed in utter distress The ill-fated lass Then turning herself towards Kege Prayed to the Lord Crying her heart out. Agonized by the days unbearable To the Lord Haa … Thangjing of Moirang The kind-hearted master that you are! The tall trees could bear The frost of the winter Could bother it not Whilst the Early Monsoon makes up the fate of the floral lives that season And the Later Monsoons hands out the fate of the floral lives that season Said the mighty trees not a word of weariness Resilient and bearing Make me one among them Lord Kindly do oblige, saying these words Wailing aloud she said Beloved native land of hers The fields of Kege-Moirang The fields of Thambal-Nongsha slopes The Nonghu meadows beheld The Fibun Ngaroi Hills The place where Sareng Hill ends. The Thangjing Highlands Upward on the mountain she climbed Woefully the ill-fated maiden With prayers to Lord Thangjing in her heart The agony she had been bearing. Downward she jumped unto the rocks That the maiden flew down, the place Was hence named Paitha meadows In vain could she not perish Hence reincarnated the lass as a Flower on the trees And when winter cold ends The buds do spring The one blossom on the trees too appeared Oh! Ye beloved Flower At North Koubru where the The village of Hemban Lalum Khun The Peak Hurei Nganbi There seated aloft the boulders unsmooth these blossoms Of different tongue spoken Of different village lived The Chief of Khongjai Tribe Tollongkhomba was his name Axe in hand Cut and bound trees Gathering Firewood In the bundle … the flowers … the wood was bounded too Looking at the Trunk She seems a tree mighty and told Looking at the petals She resembles the cattle’s footprints Looking at the bud She looks like maiden’s finger And when she fully blooms She becomes the intricate silver flower bunch worn at beauty’s ears Seeing the flowers in full bloom The prosperous of Moirang Thiyam Chaoba whose daughter The fair maiden Kunjalembi Atop the mountain she went Ventured the tiresome climb and dearly did pluck Beloved companion Holding you in my hands When I wait for words from my suitor You be for me the one to stand with Amid the wooden bridge stood she Fair maiden Kunjalembi Flower in hand In wait of her suitor Pungnao Taba Beloved flower did accompany her Haada flower beloved friend of mine The village fathers did say Of a highland lass Become you are. Lovely flower unnamed Afront the mountain waterfalls Blown ajar by the wind Fear that you might lose your way This day, I Kunjalembi Oh beloved friend – reincarnated by a lass of the hills Deriving a little from ‘Ching’ I give to you my dear Your name ‘Loibi Chingthrao’.

ꯑꯍꯦꯟꯕ ꯂꯥꯏꯔꯤꯛꯁꯤꯡ

• Singh, Wahengbam Ibohal. The History Of Manipur. 
• SINGH, SURESH (1986). THE PRINCE AND THE ROSE. LAKSHMIPRIYA DEVI, IMPHAL.